Artistic movements must evolve, pushing boundaries to connect with audiences in new and meaningful ways.

The concept of Digital Street Art emerged for me between 2007 and 2008, during a time when technological experimentation in art was becoming increasingly accessible. I discovered audiovisual projects and open-source software like Pure Data, later exploring Cycling ’74 and vvvv, which expanded the possibilities of interactive art.

Through these experiments, I realized that street art could transcend static visuals. The fusion of physical space and digital interaction allowed installations to become immersive experiences, transforming public environments into living narratives. The rise of augmented reality (AR), driven by advancements in mobile technology, solidified my vision: a movement that seamlessly blends technology and street art—Digital Street Art.